Many serials on his life have been made over the years, while at least two more are currently on air on two different channels!
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In fact, even while one serial on Radha Krishna is on air on Disney+Star, another serial on Krishna's childhood exploits, Jai Kanhaiya Lal Ki, has just taken off on the same channel! As for other serials, the one that has been the makers' favourite is on Saint Saibaba. Mythological tales abound in India and to add children to the viewer list, versions of childhood stories of deities followed the major epics, Bal Hanuman, Bal Ganesh, Bal Krishna and Luv Kush aimed at appealing kids. So much so that a bath and removing footwear became mandatory before the serials started playing. As if that was not enough, believers took to watching these serials with religious fervor. There was a generation that had read both the tomes, Ramayana as well as Mahabharata, while those who had not read them had, at least, a cursory knowledge of the stories and it was great to watch them enacted on the screen. Since then, we have had a line-up of mythologies.
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Chopra's Mahabharata, caught more eyeballs than any other serial and set the tone for more such programs. On television, the early mythologies, Ramanand Sagar's Ramayana and B.R. Recently, we had Bajirao Mastani, Padmavat, Manikarnika, Tanhaji: The Unsung Warrior, Jodha Akbar, Mohenjo Daro, and such. As for historicals, as defined by the filmmaker and not necessarily based on the history taking, what is called, creative liberty, like Mughal-e-Azam, Anarkali, Taj Mahal, Razia Sultan, Noorjehan, Jhansi Ki Rani, Prithvi Vallabh, Sikander-e-Azam, besides films on Chandragupta, Ashok, Shahjehan, Rana Pratap - many of these had romance at the center. If the mythologies are staging a comeback on the big screen, it is a great surprise. If one observes, even on OTT platforms, the comedies are rare.
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As for comedy, no serial maker would ever think of venturing there because we hardly have competent comedy writers for a two-hour film, making an episodic serial is asking for too much. If other genres like action, romance and horror were spared, that was because they were no good for the prime time television family viewers. Both catered to the families, especially the female lot. With these themes, a serial maker could stretch the stories, highlight all the characters and continue a serial for as long as it held the interest of the viewer making them into mega serials. In fact, a couple of genres, like family soap operas aka family socials as well as mythological themes, which had their own captive audiences, were picked up by the television serial makers. One thought the genres were lost to television forever. The landmark films are Raja Harishchandra and Alam Ara. Mythology and history are staging a comeback on the big screen! After all, that is what we started our filmmaking with.